Generous funds would be instrumental for its development. The incredible Griffin community of mentors and the I have been honing my current project and building a planįor its complete execution.
I am thirsty to engage viewers and provide a transformativeĮxperience through my work. Growing my artistic skill and voice as an emerging photographer is critical, I see this asĪ rare opportunity to strengthen my foundation and transition towards an establishedĪnd influential future. I see this scholarshipĪs a potential to continue his legacy and evolve the boundaries of how photography can It connects by encouraging discovery and altering perspectives. John Chervinsky’s photography is a testament to pensive work without simple answers; They are intended to be sat with meditatively, eventually revealing greater truths Like a Zen koan, my images are paradoxes hidden in plain The intention of my work is to overcome the limits of the
Photography has been paramount in my personal path of healing from disease andĬonnecting with consciousness. The bounds of the rectangle tightly hug in the action of the jumpers, freezing this exciting moment in time for us to experience almost 76 years later.įiled Under: Arthur Griffin, Uncategorized Primary Sidebar The presence of shadow against the rock quarry wall and the two men’s arms reaching out to the edge of the frame constituted this image to be selected for the cover of the issue. Griffin captured the divers at an opportune moment, highlighting the point of departure and leaving room for the imagination to map out their trajectories. For a Massachusetts native, this image may not be jarring but imagine the young child who picked up this issue of LIFE in another part of the country and had so many questions about where those men would touch down. The image takes on an unfamiliar perspective the viewer is only able to see the area of departure of these divers without clues to where they may be landing. As they say in the granite industry 'we'll keep chipping away at it' to make the museum and web site better but don't take anything for granite. In photography, we often refer back to Henri Cartier Bresson’s introduction of capturing the “Decisive Moment.” What constitutes this perfect moment in time…is it purely aesthetic or is it defined by the emotional impact of the image?Īrthur Griffin’s Quincy Quarry taken in 1938 was featured on the cover of LIFE Magazine in August of that year. Questions or comments can be directed to us by email at, phone 1- (617)-472-1322 or mail us at Quincy Quarry Museum, P.
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